The Albertine Code

Embarking on adventures while standing still. Copyright 2010-2012 Kerstin A. Schaars (Writing and Many of the Images)

Another morning and I run into the final paragraph of Ovid’s Metamorphoses. It’s Ovid’s conclusion to his massive effort. Maybe he wrote it before everything else. Maybe the end kept itself out of reach just long enough to keep Ovid going. In any event, the end gives the whole of Ovid’s work over to the stars, making the demand that this poem, a poem, be indestructible against all odds. So far the odds haven’t won. The blast of fame is ancient and also current. This could be a brash rap. Maybe it is.

“And now my work is done: no wrath of Jove / nor fire nor sword nor time, which would erode / all things, has power to blot this poem. / Now, when it wills, the fatal day (which has / only the body in its grasp) can end / my years, however short their span. / But, with the better part of me, I’ll gain  / a place that’s higher than the stars: my name, / indelible, eternal, will remain. / And everywhere that Roman power has sway, / in all domains the Latins gain, my lines / will be on people’s lips; and through all time- / if poets’ prophecies are ever right- / my name and fame are sure: I shall have life.”

—Book 15 of The Metamorphoses of Ovid. Translation by Allen Mandelbaum. London, New York: A Harvest Book, 1993. 549.

Posted at 6:25am and tagged with: Ovid, Metamorphoses, Rap,.

Stumbled upon this early in the morning. For a moment I forgot how joyfully urgent thinking can be. These few lines highlight just that—the joyful, if not visceral, urgency that thinking creates. Equally important is the fact Foucault highlights how thinking happens constantly even if we don’t want to believe it. One implication is perhaps even when belief fails, at least thinking takes places, continues or begins again. That is one way of attacking all that feels petty, useless, futile or, to follow Foucault’s blunt language, “stupid.”

   “We need to free ourselves of the sacralization of the social as the only instance of the real and stop regarding that essential element in human life and human relations—I mean thought—as so much wind. Thought does exist, both beyond and before systems and edifices of discourse. It is something that is often hidden but always drives everyday behaviors. There is always a little thought occurring even in the most stupid institutions; there is always thought even in silent habits.” 

Michel Foucault. “So Is It Important to Think?” From Power. Edited by James D. Faubion. Translation by Robert Hurley and Others. New York: The New Press, 1994. 454-58. 456.

   

Posted at 3:42pm and tagged with: Michel Foucault,.

Mr. Fonseka seemed to draw forth an assurance or a calming quality from the books he read. He’d gaze into an unimaginable distance (one could almost see the dates flying off the calendar) and quote lines written in stone or papyrus. I suppose he remembered these things to clarify his own opinion, like a man buttoning up his own sweater to give warmth just to himself. Mr. Fonseka would not be a wealthy man. And it would be a spare life he would be certain to lead as a schoolteacher in some urban location. But he had a serenity that came with the choice of the life he wanted to live. And this serenity and certainty I have seen only among those who have the armour of books close by.

-Michael Ondaatje. The Cat’s Table 58-9.

Posted at 3:46pm and tagged with: michael ondaatje,.

Some believe they’ve found the Sir Francis Drake’s watery grave. We’ll see if it’s true, but as stories go, pirates have a tendency to forget about being forgotten. 

Posted at 5:47am and tagged with: Sir Francis Drake,.

Found this brief excerpt of John Cassavetes speaking about the three men in his film, Husbands:

“There are phases in everyone’s life that are extreme, when emotions are naturally heightened. This one week changes everything about [the men]—their thoughts, feelings, their relationships to each other…Getting old doesn’t bother us. It’s still being young and not having done anything. We have to make a game out of everything. We enjoy the games, as part of our lives which has always given us comfort when we needed it. And then, when the games are over, we’re tired and the thoughts and fears come back again.”

From Marshall Fine’s Accidental Genius: How John Cassavetes Invented American Independent Film.a

Posted at 6:43am and tagged with: John Cassavetes, Film,.

Forgot this was such a great little book for commutes by train:

“This Marcovaldo possessed an eye ill-suited to city life: billboards, traffic-lights, shop-windows, neon signs, posters, no matter how carefully devised to catch the attention, never arrested his gaze, which might have been running over the desert sands. Instead, he would never miss a leaf yellowing on a branch, a feather trapped by a roof-tile; there was no horsefly on a horse’s back, no worm-hole in a plank, or fig-peel squashed on the sidewalk that Marcovaldo didn’t remark and ponder over, discovering the changes of season, the yearnings of his heart, and the woes of existence.”

—Italo Calvino. Marcovaldo, or The seasons in the city

Posted at 5:42am and tagged with: Italo Calvino, Marcovaldo,.

I just stumbled upon this terrific Flannery O’Connor quote:

 I often ask myself what makes a story work, and what makes it hold up as a story, and I have decided that it is probably some action, some gesture of a character that is unlike any other in the story, one which indicates where the real heart of the story lies. This would have to be an action or a gesture which was both totally right and totally unexpected; it would have to be one that was both in character and beyond character; it would have to suggest both time and eternity.

Posted at 6:52pm and tagged with: Flannery O'Connor,.

Google’s doodle honoring Jorge Luis Borges. Borges never won the Nobel Prize for Literature. He once commented about this, saying, “Not granting me the Nobel prize has become a Scandinavian tradition; since I was born they have not been granting it to me…” 

Posted at 10:24am and tagged with: Borges,.

Supposedly when Gabriel García Márquez was young, his grandfather pulled the dictionary from a shelf and dropped it in front of his grandson, saying,

“Not only does this book know everything, it’s the only one that is never wrong.” García Márquez looked at it and asked a practical question:

 “How many words are in it?”

“All of them,” his grandfather replied.

And that’s how García Márquez started working with words.

Posted at 8:18am and tagged with: Garbriel Garcia Marquez, Words,.